Spring without spectacle (2026)
80 × 60cm, 1100 CHF
While living in Central Europe, I first intended to paint a lush and colorful spring. Instead, something more quiet emerged. My inner landscape returned to the memory of Finnish spring — slow, raw, and hesitant long before it turns green. In this work, growth is present but unannounced, unfolding gently beneath the surface.
This painting honors renewal that happens without spectacle.
I only smoke when I drink (2025)
100 x 140cm, CHF 2300
This piece captures the in-between state where barriers soften—when solitude meets a crowd, and just for a while, you become someone else. The structured, carefully built layers beneath reflect a controlled, introspective life, while the expressive, loose top layers embody the release of letting go. There’s a fleeting joy in this transformation, yet also a quiet sadness—the moment passes, and you’re left wondering if that version of yourself was ever real. But isn’t that part of being human? The contrast of restraint and abandon, the cycle of escape and return. Like smoke, it’s temporary—here for a night, gone by morning.
Emerging for no reason (2025)
60 x 80cm, CHF 1250
This painting emerged without plan or purpose – not to explain, impress, or provoke.
It came from a place beyond words, carried by instinct, colour, and movement.Created in a moment of playful surrender, it is part of an ongoing exploration of what it means to be present – without justification, without narrative. Just here. Just now.There’s a paradox in that: how something seemingly “pointless” can feel so essential. “Emerging for no reason” is a celebration of that feeling – of creating without needing a reason, and finding joy in what appears.
This work will be exhibited at “Art Shopping” at Carrousel du Louvre, Paris, on 17-19 October 2025
Tender target (2024)
100 x 140cm, CHF 2300
This piece explores how something gentle and seemingly harmless can become the focus of disproportionate suspicion. Based on personal observations, the work reflects on how plant-based lifestyles are often prematurely judged.
A realistically rendered carrot meets a targeting mark, creating a quiet tension between natural vulnerability and projection. The work invites viewers to question how quickly the unfamiliar is perceived as a threat.
Imposter syndrome (2024)
100 x 80cm,
private collection, Switzerland
“Imposter Syndrome” represents the self-doubt many of us face, a feeling of not being “good enough” or fearing that our achievements are undeserved. I hope this work opens up a space for empathy, introspection, and, perhaps, recognition in those familiar with this feeling.
This painting has been exhibited at one of the biggest art events in Italy, Arte Padova, 15.-18.11.2024
I remember something I never knew (2025)
55 x 45cm, CHF 820
This work emerged through an intuitive process, partly created with closed eyes and guided by sensation rather than intention.
The charcoal forms feel less constructed and more discovered — traces of something that passed through rather than something consciously made.
It explores a quiet tension between memory, instinct, and presence.
Backyard party (2024)
50 x 50cm, CHF 850
“Backyard Party” is a playful, energetic abstract painting that celebrates connection and spontaneity. Its vivivd greens and pinks feel like fresh grass, laughter, and summer air, while the layered textures and bold marks hint at an urban edge — as if this gathering happens in a city backyard.
This piece was created intuitively without a set plan, allowing the composition to grow naturally, much like conversations and connections at a lively get-together. It radiates joy, movements, making it an uplifting statement piece for any modern space.
All artworks are available for purchase. If you are interested in a particular piece, feel free to contact me - I’m always happy to share more photos or arrange a studio visit by appointment.
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